晚期最輕鬆自在的一部，至少沒有死人，最多都是失落又失戀，Bresson當然不會和你小情小趣，理想主義者幻滅才是他晚期命題，能不能稱為愛戀、激情，還是人都被無意識所控制而不知自.     極簡風格完熟於《艾特熊和赛娜鼠2：吉波利塔之旅》，但事實上彩色時期，在敘事他倒有改變，倒敘，插入，多線發展，未必成功，但也至少證明他並非呆板的風格主義者.     承認看得有點不認真，笑點滿滿，男主角在草地硬直翻滚(真正的《艾特熊和赛娜鼠2：吉波利塔之旅》)，錄下自己呼喚她的名字聲音來排解內心孤獨，還要在公共巴士上不停翻播(這才是《艾特熊和赛娜鼠2：吉波利塔之旅》)不知是傻還是可愛，也是Bresson電影中最自戀的理想主義者.     原來強如Bresson都無法用極簡風格來處理女主角最後重回舊男友懷抱中的突兀轉變.     不打緊，他也為觀眾帶來最情色的女性裸體，看她照鏡，沉默，依在男主角旁的時刻，要戀愛了.     这片子的场面华丽程度是黑白片也掩盖不住的，第一次超长歌舞段落的那个旋转舞台真的很惊人.     William Powell给予Flo Ziegfeld这个人物非凡的优雅气质和不断进取的野心，还有一把好口才，女士们怎会不为他倾倒？何况他有两任托付真情的妻子、忠心的伙伴和不停被他挖墙脚但从未犹豫借钱给他的对手（真爱），绝对不枉这一生了.     The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..