创意十足，带着科幻味道的婚姻家庭剧.     真索菲爱上完美无缺能带来极大幸福值的假伊桑，真伊桑一心只想回归正常，逃离度假村，最后却因失误把假索菲带回家了，猛然醒悟后还是理智的接受这个虽然假却跟自己合得来相处愉快的假索菲，结局做到这样已经完美了.     至于为什么会有这般诡异的事情，电影根本没提.     中产阶级middle life crisis为主题的indie film已经拍得烂的不能再烂了，但是Jill的female gaze和细腻笔触还是能将此话题焕发新生.     从开头性爱都要用代号“put bonnet out”到最后做爱的时候”let it in"是夫妻俩关系的赎罪和新生.     mackenna这个性工作者角色出现实际上说明了，人对于她们sexuality的恐惧其实源于自己对性爱羞耻的态度，更何况JS在写这个角色的时候是秉持non-judgemental态度的，她既没有让她羞耻悔过，也没有让她lesson learned，这就更体现出女性电影人的可贵之处，因为‘That inside every woman are many women'.The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..